"Rekod Persembahan Kami
Sehingga Hari Ini"

• The Cord
• Sintesis
• Emily of Emerald Hill

• Dance Workshop : Choreography Concepts
• 1984 - Here & Now
• The Other Side
• Yap Ah Loy, The Play

• The Coffin Is Too Big For The Hole
• Morning In Night
• Solo '86

• Emily Of Emerald Hill

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• Untitled and Ground-Bound Bird
• Three Children & Two Grandmothers
• New Directions '88

• Peter's Passionate Pursuit
• Lady White

• The Sandpit
• Contemporary Dance Festival "Asian Breeze" Japan
• 5th Hong Kong International Dance Conference - Swan Song

• Kami Bukannya Patung
• Alterart

• Laras Bunyi
• Teater Muda Phase 1

• Woman At Point Zero
• Teater Muda Phase 2
• US - Actions and Images (KL)
• US - Action and Images (5th Cairo International Experimental Theatre Festival)

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• Suara Rimba adapted from Rudyard Kipling's Jungle Book
• A Modern Woman called Ang Tau Mui
• Let Me Speak
• Reunion
• Visual Arts - Warbox, Lallang, Killing Tool
• Teater Muda Phase 3

A Visual Performance Event on a Futuristic Malaysia.  Skin Trilogy works towards a blurring of certainties. This visual performance is aimed at doing the same, blur the genres of the performance and the visual arts; blur the definitions of space; blur a resolved separation between the viewer and what is viewed. A final convergence between the event, the actions of the actors, the movements of the dancers, the sounds of the singers and the visualisation of the dancers.  Playwright's note  "..I remember saying that I wanted to see how many personalities could be contained in an individual self. I wanted to see the universe in man and not just man in universe..."

A writer either writes or imagines he has written an article challenging the system and then, in a series of imagined interrogations, either is frightened or frightens himself into retracting it. On another level a supposedly spiritual man in a moment of truth realizes he has no spirituality at all, that he is carnal and craven to the core.

Written by Lloyd Fernando Scorpion Orchid is set in the early nineteen fifties, a period of social upheaval while the British were still in control of Malaya and Singapore. It tells of the turbulent relationship between four young people of diverse racial backgrounds as they struggle to come to terms with their identity and cultural heritage.

As the political climate whips into a frenzy, the relationship between the four are tested to the limits. Social niceties are stripped away as they are reduced to the bare bones of their racial prejudices. Their self-absorbed passion for individual survival in the face of racial upheavel leads them to expose their bloodiest thoughts, and strike out in sheer self-preservation.

This monodrama was first performed in Kuala Lumpur in 1994, under the working title 'A Modern Woman Called Ang Tau Mui'. The play was later extensively revised and performed by Leow Puay Tin, the playwright herself, when it was staged in Adelaide and Melbourne for the Third International Women Playwrights Conference, in July 1994.

Ang Tau Mui meaning "The Girl Who Sells Red Bean Soup" tells the story of a working class girl who aspires to be a successful modern woman like her idol Lin Dai, the movie goddess who dominated Chinese filmdom in the 1950's/1960's.

As a young girl, Ang Tau Mui adores Lin Dai, and tries to transform her mundane existence into one of near-fantasy, as she imagines Lin Dai's life to be. Funny, poignant and fantastical, the story of Ang Tau Mui is told in narrative, dialogue and in songs (Chinese Opera and popular songs of the 60's, including hits from Lin Dai's movies.)

If you'd like further information regarding any of the above performances, please contact us.
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